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  • #383021

    omg Liam

    #382789

    No, not even a cigar

    Sian is very rude and from here on in banned for eternity. I thought about adding two more weeks but she luckily catches me in good mood.

    #382787

    Yes bon bon

    your answer was worth seventeen points – qustion one always has bonus

    okays

    What is on my head ?

    #382785

    No to all

    okays…..fabbyclue time……..

    imagins portryal of 17th century Russian Cossack dancers in middle of winter , but is it human ? or is it ??…..something that you could play with like puppets on strings and painted strong vibant colours and glazed ….mainly blue but with price tag on bottom ???

    okays no mor clues u on yr own

    #382597

    @bon bon wrote:

    I want a pet

    *pets Diane*

    lights spliff…….

    #382572

    @~Pebbles~ wrote:

    You say you get bored easily..my advice to you then is dont get a pet. Its not fair on the animal to be cast aside and forgotten about when the novelty wears off. It might sound harsh, but im just giving you some sensible advice.

    not sure it’s that sensible, even if di got bored with fluffy bunnypet.

    It could happen at dinnertime pebs

    #382729

    aww sunny xxx

    best wishes to all of yas

    (thanks pats)

    #382650

    an animal-print-covered water bottle containing horlicks for night time snuggling and refreshment

    #311989

    Patmos

    — for the Earl of Homburg

    The god
    Is near, and hard to grasp.
    But where there is danger,
    A rescuing element grows as well.
    Eagles live in the darkness,
    And the sons of the Alps
    Cross over the abyss without fear
    On lightly-built bridges.
    Therefore, since the summits
    Of Time are heaped about,
    And dear friends live near,
    Growing weak on the separate mountains —
    Then give us calm waters;
    Give us wings, and loyal minds
    To cross over and return.

    Thus I spoke, when faster
    Than I could imagine a spirit
    Led me forth from my own home
    To a place I thought I’d never go.
    The shaded forests and yearning
    Brooks of my native country
    Were glowing in the twilight.
    I couldn’t recognise the lands
    I passed through, but then suddenly
    In fresh splendour, mysterious
    In the golden haze, quickly emerging
    In the steps of the sun,
    Fragrant with a thousand peaks,
    Asia rose before me.

    Dazzled I searched for something
    Familiar, since the broad streets
    Were unknown to me: where the gold-bejeweled
    Patoklos comes rushing down from Tmolus,
    Where Taurus and Messogis stand,
    And the gardens are full of flowers,
    Like a quiet fire. Up above
    In the light the silver snow
    Thrives, and ivy grows from ancient
    Times on the inaccessible walls,
    Like a witness to immortal life,
    While the solemn god-built palaces
    Are borne by living columns
    Of cypress and laurel.

    But around Asia’s gates
    Unshaded sea-paths rush
    About the unpredictable sea,
    Though sailors know where
    The islands are. When I heard
    that one of these close by
    Was Patmos, I wanted very much
    To put in there, to enter
    The dark sea-cave. For unlike
    Cyprus, rich with springs,
    Or any of the others, Patmos
    Isn’t splendidly situated,

    But it’s nevertheless hospitable
    In a more modest home. And if
    A stranger should come to her,
    Shipwrecked or homesick
    Or grieving for a departed friend,
    She’ll gladly listen, and her
    Offspring as well, the voices
    In the hot grove, so that where sands blow
    and heat cracks the tops of the fields,
    They hear him, these voices,
    And echo the man’s grief.
    Thus she once looked after
    The prophet that was loved by God,
    Who in his holy youth

    Had walked together inseparably
    With the Son of the Highest,
    Because the Storm-Bearer loved
    The simplicity of his disciple.
    Thus that attentive man observed
    The countenance of the god directly,
    There at the mystery of the wine,
    Where they sat together at the hour
    Of the banquet, when the Lord with
    His great spirit quietly foresaw his
    Own death, and forespoke it and also
    His final act of love, for he always
    Had words of kindness to speak,
    Even then in his prescience,
    To soften the raging of the world.
    For all is good. Then he died. Much
    Could be said about it. At the end
    His friends recognised how joyous
    He appeared, and how victorious.

    And yet the men grieved, now that evening
    Had come, and were taken by surprise,
    Since they were full of great intentions,
    And loved living in the light,
    And didn’t want to leave the countenance
    Of the Lord, which had become their home.
    It penetrated them like fire into hot iron,
    And the one they love walked beside them
    Like a shadow. Therefore he sent
    The Spirit upon them, and the house
    Shook and God’s thunder rolled
    Over their expectant heads, while
    They were gathered with heavy hearts,
    Like heroes under sentence of death,

    When he again appeared to them
    At his departure. For now
    The majestic day of the sun
    Was extinguished, as he cast
    The shining sceptre from himself,
    Suffering like a god, but knowing
    He would come again at the right time.
    It would have been wrong
    To cut off disloyally his work
    With humans, since now it pleased
    Him to live on in loving night,
    And keep his innocent eyes
    Fixed upon depths of wisdom.
    Living images flourish deep
    In the mountains as well,

    Yet it is fearful how God randomly
    Scatters the living, and how very far.
    And how fearsome it was to leave
    The sight of dear friends and walk off
    Alone far over the mountains, where
    The divine spirit was twice
    Recognised, in unity.
    It hadn’t been prophesied to them:
    In fact it seized them right by the hair
    Just at the moment when the fugitive
    God looked back, and they called out to him
    To stop, and they reached their hands to
    One another as if bound by a golden rope,
    And called it bad —

    But when he dies —he whom beauty
    Loved most of all, so that a miracle
    Surrounded him, and he became
    Chosen by the gods —
    And when those who lived together
    Thereafter in his memory, became
    Perplexed and no longer understood
    One another; and when floods carry off
    The sand and willows and temples,
    And when the fame of the demi-god
    And his disciples is blown away
    And even the Highest turns aside his
    Countenance, so that nothing
    Immortal can be seen either
    In heaven or upon the green earth —
    What does all this mean?

    It is the action of the winnower,
    When he shovels the wheat
    And casts it up into the clear air
    And swings it across the threshing floor.
    The chaff falls to his feet, but
    The grain emerges finally.
    It’s not bad if some of it gets lost,
    Or if the sounds of his living speech
    Fade away. For the work
    Of the gods resembles our own:
    The Highest doesn’t want it
    Accomplished all at once.
    As mineshafts yield iron,
    And Etna its glowing resins,
    Then I’d have sufficient resources
    To shape a picture of him and see
    What the Christ was like.

    But if somebody spurred himself on
    Along the road and, speaking sadly,
    Fell upon me and surprised me, so that
    Like a servant I’d make an image of the god —
    Once I saw the lords
    Of heaven visibly angered, not
    That I wanted to become something different,
    But that I wanted to learn something more.
    The lords are kind, but while they reign
    They hate falsehood most, when humans become
    Inhuman. For not they, but undying Fate
    It is that rules, and their activity
    Spins itself out and quickly reaches an end.
    When the heavenly procession proceeds higher
    Then the joyful Son of the Highest
    Is called like the sun by the strong,

    As a watchword, like a staff of song
    That points downwards,
    For nothing is ordinary. It awakens
    The dead, who aren’t yet corrupted.
    And many are waiting whose eyes are
    Still too shy to see the light directly.
    They wouldn’t do well in the sharp
    Radiance: a golden bridle
    Holds back their courage.
    But when quiet radiance falls
    From the holy scripture, with
    The world forgotten and their eyes
    Wide open, then they may enjoy that grace,
    And study the light in stillness.

    And if the gods love me,
    As I now believe,
    Then how much more
    Do they love yourself.
    For I know that the will
    Of the eternal Father
    Concerns you greatly.
    Under a thundering sky
    His sign is silent.
    And there is one who stands
    Beneath it all his life.
    For Christ still lives.
    But the heroes, all his sons
    Have come, and the holy scriptures
    Concerning him,
    While earth’s deeds clarify
    The lightning, like a footrace
    That can’t be stopped.
    And he is there too,
    Aware of his own works
    From the very beginning.

    For far too long
    The honour of the gods
    Has been invisible.
    They practically have to
    Guide our fingers as we write,
    And with embarrassment the energy
    Is torn from our hearts.
    For every heavenly being
    Expects a sacrifice,
    And when this is neglected,
    Nothing good can come of it.
    Without awareness we’ve worshipped
    Our Mother the Earth, and the Light
    Of the Sun as well, but what our Father
    Who reigns over everything wants most
    Is that the established word be
    Carefully attended, and that
    Which endures be interpreted well.
    German song must accord with this.

    Friedrich Hölderlin

    Patmos is the island where St. John lived and wrote the Apocalypse. The poem was written before February 1803 and dedicated to the Landgraf von Homburg, the ruler of a small German state near Frankfurt. The Landgraf was known as a Bible student, and is probably addressed personally in the second-last strophe.

    This is the first version of the poem. Hölderlin worked on at least three further versions, and he never completed any, so that the Patmos poem in all versions is really a work in progress. In the present version, the imagery in the last four stanzas is often obscure.

    In the third strophe: Tmolus, Taurus and Messogis are mountains, and Pactolus (Paktolos) is a river famous in legend for its gold ore.

    The poem views the Christian gospel with Hellenic eyes. The “mystery of the wine” links the Last Supper with Dionysus, and the written Gospels were created as a human response to the impossibility of merging with godhead, of being a god oneself. Thus the Evangelists are viewed as sharing the same destiny as poets of antiquity: they are the intermediaries and seers left after the departure of the gods to recount their deeds in writings (scriptures) that endure.

    #311988

    @toybulldog wrote:

    Travelling

    Through gaps in the mind, its fortifications, names: name that a Roman gave to a camp on

    the moor where a sheeps’s jawbone lies and buzzards, mewing, loop air between woods

    and water long empty of his gods; name of the yellow poppy drooping, after rain, or the

    flash, golden, from wings in flight – greenfinch or yellowhammer –

    of this mountain, this lake. I move on.

    Michael Hamburger

Viewing 10 posts - 1,171 through 1,180 (of 2,856 total)