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you all sound well blahhderred, and make perfect sense too
only the Gorgonzola Catwalk I’ll have you know ! It hit the top 100 in Norway after I threatened to ravish Knut the sexxy night-time DJ on Oslo 374 FabTime. It was a specialist station for insomniac fishermen……..(and Knuts loss)
Have you ever been to a posh dinner party and ended up cleaning your own vomit with the hostesses favourite face flannel ?
not often enough (wipes sweat off brow)
can you balance gorgonzola on your middle finger ?
@cath 55 wrote:
@toybulldog wrote:
@cath 55 wrote:
sod it this has to be worth a second mention ….
Kingstown Town dances round the thread to ub40, courtseys, flicks hair n exits stage right ………..you haven’t lived till you seen Cath singing this in the rooms
the dancin is even better lol xxx
yeah saw this the other day pols, nicely made it is too.
but wheres t’bike that e’ used to go all t’way oop thah cobbl’d hill on ?
@bon bon wrote:
there isnt room for two Dianes on these boards
even one is pushing it
@sharongooner wrote:
hmmm… remember the othello thread?!
Im not a lover of Shaky, but enjoy some of his stuff.
That Green Door was brilliant!
: o )
excellent Esme, that brought to mind Douglas Dunn.
Frank Warren promoting
Jonathan Creek investigating
My mum admonishing
(but always knows the score, especially at quarter-to-five on a Saturday afternoon)
David Soul starsky+hutchering
Lofty for Sharon-pining……………(no, not that Sharon, the one who had dirty den for a dad)
@cath 55 wrote:
dunno if this has already been done lol , a tribute to king tubby lovin this one Earl Zero’s Righteous Works (and Dub…)
Before developing into Jamaica’s most successful record producer of the 1980s, Lloyd James, aka Prince Jammy, was another of King Tubby’s apprentices. Here he looks back to the heyday of dub.
“ The great King Tubby’s – yunno, they don’t call people ‘great’ or ‘King’ for no reason – the reason they call ‘im great King Tubby’s was he was such a nice person. If ‘im ever get vex with you for five minutes, the nex’ minute he is okay. A lotta good ‘im do fe the community. Well, that’s like a never-endin’ friendship. It’s like family, yunno – I grew up with King Tubby’s. I used to live on Dromilly Avenue. His loss was of the greatest loss to me – I don’t know about the music fraternity, but to me personally, because he was my teacher, yunno. It was so unfortunate that he had to go that way – that was terrible.
In the Seventies at King Tubby’s studio, dub records used to sound fantastic to what we hearin’ nowadays as dub. The main reason for this is because King Tubby used to have a four track studio. We way how we used to create the dub, the feelin’ of the music, we only had four controls to deal with. It was easier to mix with your slides instead of buttons. Nowadays you mix with buttons, because you’re mixin’ on a 24-track console.
But music has to be a fast mixin’ thing – most of the instruments were already mixed on one track. So when you draw down like the riddim track, you draw down horns, guitar, piano an’ organ. So it was easier for you to mix it, and faster. That’s why you got the dub in those days so brilliant. It can be mixed on these modern consoles, but you have to group the instruments. And the slides are not flexible like the mixin’ board console that King Tubby’s had. Those slides were flexible.
Dub means raw riddim. Dub jus’ mean raw music, nuttin’ water-down. Version is like your creativeness off the riddim, without voice.
“
