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  • #16110

    i have posted this one before, but it was one i encountered whilst still at school, the english teacher used to put such feeling into the words, she would lower her voice and rise with the emotions

    The poem, set in 18th century England, tells the story of a nameless highwayman who is in love with Bess, a landlord’s daughter.

    the highwayman escapes an ambush when Bess sacrifices her life to warn him.

    this poem for a very impressionable then 14 year old who didnt have the luxury then of the media nor was theatre readily available has stayed with me.

    The Highwayman

    Alfred Noyes

    The wind was a torrent of darkness upon the gusty trees,
    The moon was a ghostly galleon tossed upon cloudy seas,
    The road was a ribbon of moonlight looping the purple moor,
    And the highwayman came riding–
    Riding–riding–
    The highwayman came riding, up to the old inn door.

    He’d a French cocked hat on his forehead, and a bunch of lace at his chin;
    He’d a coat of the claret velvet, and breeches of fine doe-skin.
    They fitted with never a wrinkle; his boots were up to his thigh!
    And he rode with a jeweled twinkle–
    His rapier hilt a-twinkle–
    His pistol butts a-twinkle, under the jeweled sky.

    Over the cobbles he clattered and clashed in the dark inn-yard,
    He tapped with his whip on the shutters, but all was locked and barred,
    He whistled a tune to the window, and who should be waiting there
    But the landlord’s black-eyed daughter–
    Bess, the landlord’s daughter–
    Plaiting a dark red love-knot into her long black hair.

    Dark in the dark old inn-yard a stable-wicket creaked
    Where Tim, the ostler listened–his face was white and peaked–
    His eyes were hollows of madness, his hair like mouldy hay,
    But he loved the landlord’s daughter–
    The landlord’s black-eyed daughter;
    Dumb as a dog he listened, and he heard the robber say:

    “One kiss, my bonny sweetheart; I’m after a prize tonight,
    But I shall be back with the yellow gold before the morning light.
    Yet if they press me sharply, and harry me through the day,
    Then look for me by moonlight,
    Watch for me by moonlight,
    I’ll come to thee by moonlight, though hell should bar the way.”

    He stood upright in the stirrups; he scarce could reach her hand,
    But she loosened her hair in the casement! His face burnt like a brand
    As the sweet black waves of perfume came tumbling o’er his breast,
    Then he kissed its waves in the moonlight
    (O sweet black waves in the moonlight!),
    And he tugged at his reins in the moonlight, and galloped away to the west.

    He did not come in the dawning; he did not come at noon.
    And out of the tawny sunset, before the rise of the moon,
    When the road was a gypsy’s ribbon over the purple moor,
    The redcoat troops came marching–
    Marching–marching–
    King George’s men came marching, up to the old inn-door.

    They said no word to the landlord; they drank his ale instead,
    But they gagged his daughter and bound her to the foot of her narrow bed.
    Two of them knelt at her casement, with muskets by their side;
    There was Death at every window,
    And Hell at one dark window,
    For Bess could see, through her casement, the road that he would ride.

    They had bound her up at attention, with many a sniggering jest!
    They had tied a rifle beside her, with the barrel beneath her breast!
    “Now keep good watch!” and they kissed her. She heard the dead man say,
    “Look for me by moonlight,
    Watch for me by moonlight,
    I’ll come to thee by moonlight, though Hell should bar the way.”

    She twisted her hands behind her, but all the knots held good!
    She writhed her hands till her fingers were wet with sweat or blood!
    They stretched and strained in the darkness, and the hours crawled by like years,
    Till, on the stroke of midnight,
    Cold on the stroke of midnight,
    The tip of one finger touched it! The trigger at least was hers!

    The tip of one finger touched it, she strove no more for the rest;
    Up, she stood up at attention, with the barrel beneath her breast.
    She would not risk their hearing, she would not strive again,
    For the road lay bare in the moonlight,
    Blank and bare in the moonlight,
    And the blood in her veins, in the moonlight, throbbed to her love’s refrain.

    Tlot tlot, tlot tlot! Had they heard it? The horse-hooves, ringing clear;
    Tlot tlot, tlot tlot, in the distance! Were they deaf that they did not hear?
    Down the ribbon of moonlight, over the brow of the hill,
    The highwayman came riding–
    Riding–riding–
    The redcoats looked to their priming! She stood up straight and still.

    Tlot tlot, in the frosty silence! Tlot tlot, in the echoing night!
    Nearer he came and nearer! Her face was like a light!
    Her eyes grew wide for a moment, she drew one last deep breath,
    Then her finger moved in the moonlight–
    Her musket shattered the moonlight–
    Shattered her breast in the moonlight and warned him–with her death.

    He turned, he spurred to the West; he did not know who stood
    Bowed, with her head o’er the casement, drenched in her own red blood!
    Not till the dawn did he hear it, and his face grew grey to hear
    How Bess, the landlord’s daughter,
    The landlord’s black-eyed daughter,
    Had watched for her love in the moonlight, and died in the darkness there.

    Back, he spurred like a madman, shrieking a curse to the sky,
    With the white road smoking behind him and his rapier brandished high!
    Blood-red were his spurs in the golden noon, wine-red was his velvet coat
    When they shot him down in the highway,
    Down like a dog in the highway,
    And he lay in his blood in the highway, with the bunch of lace at his throat.

    And still on a winter’s night, they say, when the wind is in the trees,
    When the moon is a ghostly galleon tossed upon cloudy seas,
    When the road is a gypsy’s ribbon looping the purple moor,
    The highwayman comes riding–
    Riding–riding–
    The highwayman comes riding, up to the old inn-door.

    Over the cobbles he clatters and clangs in the dark inn-yard,
    He taps with his whip on the shutters, but all is locked and barred,
    He whistles a tune to the window, and who should be waiting there
    But the landlord’s black-eyed daughter–
    Bess, the landlord’s daughter–
    Plaiting a dark red love-knot into her long black hair.

    Alfred Noyes

    #461636

    For me it wasn’t just the poem that touched my life but also the person reading it. I was 10 years old and up until then all the poetrry we’d encountered at school had been dry, dusty, uninspiring, Then one day our teacher started to read us The Rime of the Ancient Mariner. I won’t copy and paste it because it’s so long, but it can be read here.

    He read it over 7 days, one part at a time, and like your teacher Cath, he put feeling and emotion into the words and really brought it to life.

    He was a truly inspirational teacher, the first to give me confidence in my own abilities and to help me find my voice and ability to express myself.

    #461637

    @jen_jen wrote:

    For me it wasn’t just the poem that touched my life but also the person reading it. I was 10 years old and up until then all the poetrry we’d encountered at school had been dry, dusty, uninspiring, Then one day our teacher started to read us The Rime of the Ancient Mariner. I won’t copy and paste it because it’s so long, but it can be read here.

    He read it over 7 days, one part at a time, and like your teacher Cath, he put feeling and emotion into the words and really brought it to life.

    He was a truly inspirational teacher, the first to give me confidence in my own abilities and to help me find my voice and ability to express myself.

    wow jen a complex poem for a 10 year old and hard going too however, your teacher sounds brilliant, thing is those teachers are worth their weight in gold for young ones and yet when some children first encounter poetry are not so lucky and never learn to appreciate it i guess , each to their own tho ay.

    #461638

    Reading it now I can see how complex it would have appeared to a 10 year old but I loved reading (still do), always had my head in a book, and he took it one part at a time, read it (and acted it too!) then explained it. Then we had half an hour to write something ourselves and looking back I realise it was a big turning point for me, I was like a flower bud, opening up then turning towards the sun.

    I think he’s the only teacher whose name and face I can remember for the right reasons, he taught me to love the rich tapestry of the English language and to explore words and ways of expressing things…quite a big deal for me at the time.

    RIP Mr Francis xx

    #461639

    i’ve always had a love of the written word, be it books, poems or letters, i used to love writing letters but as with a lot of things now letter writing has fallen by the wayside. I dont remember my teachers name but i do remember some of the literature she introduced us too, I think clearly I must be a total romantic both child and woman , i remember the story of Lorna Doone from schooldays too, another tragic heroine , the music and story from a film called a ‘dream of olwyn ‘ haunts me to this day, another tragic heroine lol

    however back to the poetry this one very much lighter and another one I have posted before but a favourite. again the teacher bought this too life with the urgency of finding the cat and i have found myself reading other poems in the light of her style in my time and indeed hopefully passed this on to my own children when i was introducing them to poetry, and although i havent discussed the poems or the written word with them as a subject i have to say when my eldest came in from school one day when she was about 12 and declared ‘i love shakespeare’ i was taken aback lol.

    Skimbleshanks: The Railway Cat
    There’s a whisper down the line at 11.39
    When the Night Mail’s ready to depart,
    Saying ‘Skimble where is Skimble has he gone to hunt the thimble?
    We must find him orthe train can’t start.’
    All the guards and all the porters and the stationmaster’s daughters
    They are searching high and low,
    Saying ‘Skimble where is Skimble for unless he’s very nimble
    Then the Night Mail just can’t go.’
    At 11.42 then the signal’s nearly due
    And the passengers are frantic to a man—
    Then Skimble will appear and he’ll saunter to the rear:
    He’s been busy in the luggage van!
    He gives one flash of his glass-green eyes
    And the signal goes ‘All Clear!’
    And we’re off at last for the northern part
    Of the Northern Hemisphere!

    You may say that by and large it is Skimble who’s in charge
    Of the Sleeping Car Express.
    From the driver and the guards to the bagmen playing cards
    He will supervise them all, more or less.
    Down the corridor he paces and examines all the faces
    Of the travellers in the First and in the Third;
    He establishes control by a regular patrol
    And he’d know at once if anything occurred.
    He will watch you without winking and he sees what you are thinking
    And it’s certain that he doesn’t approve
    Of hilarity and riot, so the folk are very quiet
    When Skimble is about and on them ove.
    You can play no pranks with Skimbleshanks!
    He’s a Cat that cannot be ignored;
    So nothing goes wrong on the Northern Mail
    When Skimbleshanks is aboard.

    Oh it’s very pleasant when you have found your little den
    With your name written up on the door.
    And the berth is very neat with a newly folded sheet
    And there’s not a speck of dust on the floor.
    There is every sort of light—you can make it dark or bright;
    There’s a button that you turn to make a breeze.
    There’s a funny little basin you’re supposed to wash your face in
    And a crank to shut the window if you sneeye.
    Then the guard looks in politely and will ask you very brightly
    ‘do you like your morning tea weak or strong?’
    But Skimble’s just behind him andwas ready to remind him,
    For Skimble won’t let anything go wrong.
    And when you creep into your cosy berth
    And pull up the counterpane,
    You are bound to admit that it’s very nice
    To know that your won’t be bothered by mice—
    You can leave all that to the Railway Cat,
    The Cat of the Railway Train!

    In the middle of the night he is always fresh and bright;
    Every now and then he has a cup of tea
    With perhaps a drop of Scotch while he’s keeping on the watch,
    Only stopping here and there to catch a flea.
    You were fast asleep at Crewe and so you never knew
    That he was walking up and down the station;
    You were sleeping all the while he was busy at Carlisle,
    Where he greets the stationmaster with elation.
    But you saw him at Dumfries, where he summons the police
    If there’s anything they ought to know about:
    when you get to Gallowgate there you do not have to wait—
    For Skimbleshanks will help you to get out!
    He gives you a wave of his long brown tail
    Which says: ‘I’ll see you again!
    You’ll meet without fail on the Midnight Mail
    The Cat of the Railway Train.’

    (T S Eliot)

    #461640

    @cath 55 wrote:

    i have posted this one before, but it was one i encountered whilst still at school, the english teacher used to put such feeling into the words, she would lower her voice and rise with the emotions

    The poem, set in 18th century England, tells the story of a nameless highwayman who is in love with Bess, a landlord’s daughter.

    the highwayman escapes an ambush when Bess sacrifices her life to warn him.

    this poem for a very impressionable then 14 year old who didnt have the luxury then of the media nor was theatre readily available has stayed with me.

    The Highwayman

    Alfred Noyes

    The wind was a torrent of darkness upon the gusty trees,
    The moon was a ghostly galleon tossed upon cloudy seas,
    The road was a ribbon of moonlight looping the purple moor,
    And the highwayman came riding–
    Riding–riding–
    The highwayman came riding, up to the old inn door.

    He’d a French cocked hat on his forehead, and a bunch of lace at his chin;
    He’d a coat of the claret velvet, and breeches of fine doe-skin.
    They fitted with never a wrinkle; his boots were up to his thigh!
    And he rode with a jeweled twinkle–
    His rapier hilt a-twinkle–
    His pistol butts a-twinkle, under the jeweled sky.

    Over the cobbles he clattered and clashed in the dark inn-yard,
    He tapped with his whip on the shutters, but all was locked and barred,
    He whistled a tune to the window, and who should be waiting there
    But the landlord’s black-eyed daughter–
    Bess, the landlord’s daughter–
    Plaiting a dark red love-knot into her long black hair.

    Dark in the dark old inn-yard a stable-wicket creaked
    Where Tim, the ostler listened–his face was white and peaked–
    His eyes were hollows of madness, his hair like mouldy hay,
    But he loved the landlord’s daughter–
    The landlord’s black-eyed daughter;
    Dumb as a dog he listened, and he heard the robber say:

    “One kiss, my bonny sweetheart; I’m after a prize tonight,
    But I shall be back with the yellow gold before the morning light.
    Yet if they press me sharply, and harry me through the day,
    Then look for me by moonlight,
    Watch for me by moonlight,
    I’ll come to thee by moonlight, though hell should bar the way.”

    He stood upright in the stirrups; he scarce could reach her hand,
    But she loosened her hair in the casement! His face burnt like a brand
    As the sweet black waves of perfume came tumbling o’er his breast,
    Then he kissed its waves in the moonlight
    (O sweet black waves in the moonlight!),
    And he tugged at his reins in the moonlight, and galloped away to the west.

    He did not come in the dawning; he did not come at noon.
    And out of the tawny sunset, before the rise of the moon,
    When the road was a gypsy’s ribbon over the purple moor,
    The redcoat troops came marching–
    Marching–marching–
    King George’s men came marching, up to the old inn-door.

    They said no word to the landlord; they drank his ale instead,
    But they gagged his daughter and bound her to the foot of her narrow bed.
    Two of them knelt at her casement, with muskets by their side;
    There was Death at every window,
    And Hell at one dark window,
    For Bess could see, through her casement, the road that he would ride.

    They had bound her up at attention, with many a sniggering jest!
    They had tied a rifle beside her, with the barrel beneath her breast!
    “Now keep good watch!” and they kissed her. She heard the dead man say,
    “Look for me by moonlight,
    Watch for me by moonlight,
    I’ll come to thee by moonlight, though Hell should bar the way.”

    She twisted her hands behind her, but all the knots held good!
    She writhed her hands till her fingers were wet with sweat or blood!
    They stretched and strained in the darkness, and the hours crawled by like years,
    Till, on the stroke of midnight,
    Cold on the stroke of midnight,
    The tip of one finger touched it! The trigger at least was hers!

    The tip of one finger touched it, she strove no more for the rest;
    Up, she stood up at attention, with the barrel beneath her breast.
    She would not risk their hearing, she would not strive again,
    For the road lay bare in the moonlight,
    Blank and bare in the moonlight,
    And the blood in her veins, in the moonlight, throbbed to her love’s refrain.

    Tlot tlot, tlot tlot! Had they heard it? The horse-hooves, ringing clear;
    Tlot tlot, tlot tlot, in the distance! Were they deaf that they did not hear?
    Down the ribbon of moonlight, over the brow of the hill,
    The highwayman came riding–
    Riding–riding–
    The redcoats looked to their priming! She stood up straight and still.

    Tlot tlot, in the frosty silence! Tlot tlot, in the echoing night!
    Nearer he came and nearer! Her face was like a light!
    Her eyes grew wide for a moment, she drew one last deep breath,
    Then her finger moved in the moonlight–
    Her musket shattered the moonlight–
    Shattered her breast in the moonlight and warned him–with her death.

    He turned, he spurred to the West; he did not know who stood
    Bowed, with her head o’er the casement, drenched in her own red blood!
    Not till the dawn did he hear it, and his face grew grey to hear
    How Bess, the landlord’s daughter,
    The landlord’s black-eyed daughter,
    Had watched for her love in the moonlight, and died in the darkness there.

    Back, he spurred like a madman, shrieking a curse to the sky,
    With the white road smoking behind him and his rapier brandished high!
    Blood-red were his spurs in the golden noon, wine-red was his velvet coat
    When they shot him down in the highway,
    Down like a dog in the highway,
    And he lay in his blood in the highway, with the bunch of lace at his throat.

    And still on a winter’s night, they say, when the wind is in the trees,
    When the moon is a ghostly galleon tossed upon cloudy seas,
    When the road is a gypsy’s ribbon looping the purple moor,
    The highwayman comes riding–
    Riding–riding–
    The highwayman comes riding, up to the old inn-door.

    Over the cobbles he clatters and clangs in the dark inn-yard,
    He taps with his whip on the shutters, but all is locked and barred,
    He whistles a tune to the window, and who should be waiting there
    But the landlord’s black-eyed daughter–
    Bess, the landlord’s daughter–
    Plaiting a dark red love-knot into her long black hair.

    Alfred Noyes

    A fine poem Cath.
    Indeed so fine it was a source of inspiration for the video to this particular classic from the 80s..

    Fleetwood Mac – EVERYWHERE

    #461641

    thank you for the link sgt i enjoyed watching it xx

    #461642

    Cath, the Railway Cat poem you posted made me smile. When my kids were little they just loved TS Eliot’s Old Possums Book of Practical Cats and there was always the obligatory poem to be read to them at bedtime. To this day they still put little quotes from it in Christmas cards Birthday cards etc… the last one was as follows:-

    I know a Cat, who makes a habit
    Of eating nothing else but rabbit,
    And when he’s finished, licks his paws
    So’s not to waste the onion sauce.

    Taken from THE AD-DRESSING OF CATS which has to be one of my favourites. My absolute favourite is Macavity the mystery cat… just a little snippet for you here :

    Macavity, Macavity, there’s no one like Macavity,
    For he’s a fiend in feline shape, a monster of depravity.
    You may meet him in a by-street, you may see him in the square–
    But when a crime’s discovered, then Macavity’s not there!

    Ha! Love it!

    #461643

    @mrs_teapot wrote:

    Cath, the Railway Cat poem you posted made me smile. When my kids were little they just loved TS Eliot’s Old Possums Book of Practical Cats and there was always the obligatory poem to be read to them at bedtime. To this day they still put little quotes from it in Christmas cards Birthday cards etc… the last one was as follows:-

    I know a Cat, who makes a habit
    Of eating nothing else but rabbit,
    And when he’s finished, licks his paws
    So’s not to waste the onion sauce.

    Taken from THE AD-DRESSING OF CATS which has to be one of my favourites. My absolute favourite is Macavity the mystery cat… just a little snippet for you here :

    Macavity, Macavity, there’s no one like Macavity,
    For he’s a fiend in feline shape, a monster of depravity.
    You may meet him in a by-street, you may see him in the square–
    But when a crime’s discovered, then Macavity’s not there!

    Ha! Love it!

    I could so lower the tone of this one but i wont.

    Hello Mrs T

    #461644

    @yourchoice wrote:

    @mrs_teapot wrote:

    Cath, the Railway Cat poem you posted made me smile. When my kids were little they just loved TS Eliot’s Old Possums Book of Practical Cats and there was always the obligatory poem to be read to them at bedtime. To this day they still put little quotes from it in Christmas cards Birthday cards etc… the last one was as follows:-

    I know a Cat, who makes a habit
    Of eating nothing else but rabbit,
    And when he’s finished, licks his paws
    So’s not to waste the onion sauce.

    Taken from THE AD-DRESSING OF CATS which has to be one of my favourites. My absolute favourite is Macavity the mystery cat… just a little snippet for you here :

    Macavity, Macavity, there’s no one like Macavity,
    For he’s a fiend in feline shape, a monster of depravity.
    You may meet him in a by-street, you may see him in the square–
    But when a crime’s discovered, then Macavity’s not there!

    Ha! Love it!

    I could so lower the tone of this one but i wont.

    Hello Mrs T

    Hello YC…Big Hugs and happy Sunday!

Viewing 10 posts - 1 through 10 (of 63 total)

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